Radha and Krishna Walk in a Flowering Grove (recto); Krishna Fluting (verso) ca. 1720 (recto); ca. 1750–75 (verso)

Krishna and Radha gaze into each other’s eyes during a sunset walk. Their love is expressed by the multitude of birds, the flowering trees, and the intertwining of their bodies and garments. This quintessential Indian idea—that nature echoes human passion—is beautifully manifested in this work by a master who has successfully translated emotion into visual delight. The personification of nobles as the lovers Krishna and Radha was a popular pictorial theme in Kota and other Rajasthani courts. The subject relates to the poetry of the time.

https://www.metmuseum.org/art/collection/search/65594

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The audio track was recorded by Rolf Killius, and is used with his permission. It's entitled Asthapadi, Bengali love poem by Nanardhanan Nedungadi.

The source file is stored by the British Library, too: https://sounds.bl.uk/World-and-traditional-music/Music-from-India/025M-RKDATX0070XX-0300V0

And here is the catalogue description from there:

Mr Nanardhanan Nedungadi Asthapadi sings a part of the asthapadi starting with “Chandana Charchitha” and uses the Raga Kampodhi. Asthapadi (eight stanzas) is a Bengali love poem originally written in Sanskrit and generally known as Gita Govinda. This poem describes the amorous adventures of the legendary love couple Krishna and Radha. Generally the performance of ashtapadi is regarded as part of the Malayalee vocal genre Sopanam Sangeetam, though Asthapadi is rendered in Sanskrit while all other Sopanam songs are sung using the south Indian language Malayalam. Musical style and rhythm structures of both genres are the same. Nanardhanan Nedungadi is the resident asthapadi singer in the famous temple of Guruvayur. In this piece he indicates the beat with hand clapping. The artist speaks the south Indian language Malayalam.